"We know that under the image revealed there is another which is truer to reality and under this image still another and yet again still another under this last one, right down to the true image of that reality, absolute, mysterious, which no one will ever see or perhaps right down to the decomposition of any image, of any reality."

Michelangelo Antonioni
(29/09/1912 – 30/07/2007) 

"But I think that films should be made not for the audience or to make money or to attain popularity. In my opinion, films should be made to be as good as they can be. And this, it seems to me, is the best way to work and be sincere."

Michelangelo Antonioni
(29/09/1912 – 30/07/2007) 

"I don't know, I think I'd like to tell them only this, to know how to find themselves more often alone - to enjoy being alone with themselves more frequently. I think the tragedy of today's youth is that they try to unite on the basis some noisy events, a couple even violent, and this desire to unite in order not not to be alone is an unpleasant condition, from my point of view. I think a person needs to learn from childhood to find himself alone. It means to not be bored when you're by yourself, because a person who finds himself bored when he is alone, it seems to me, is a person in danger."

"The immense sadness of films without woman. I hate war films, except for the moment when the soldier takes out of his pocket the photo of a woman."

"The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed."

"I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think."


"(...) I think people are fascinated by that, by being able to see into a world they couldn't visit. That's the fantastic thing about cinema, everybody can be a voyeur. Voyeurism is a bit like watching television - go one step further and you want to start looking in on things that are really happening."

"To be silent; to be alone. All the being and doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Beneath it all is dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by."

"Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes. Very few people seek these images today."

"(...) 'Um quarto está ceifando, e esse sou eu.'
Vem isto tudo, que vai dito como vai sentido, a propósito do grande cansaço, aparentemente sem causa, que desceu hoje súbito sobre mim. Estou não só cansado, mas amargurado, e a amargura é incógnita também. Estou, de angustiado, à beira de lágrimas — não de lágrimas que se choram, mas que se reprimem, lágrimas de uma doença da alma, que não de uma dor sensível.
Tanto tenho vivido sem ter vivido! Tanto tenho pensado sem ter pensado! Pesam sobre mim mundos de violências paradas, de aventuras tidas sem movimento. Estou farto do que nunca tive nem terei, tediento de deuses por existir. Trago comigo as feridas de todas as batalhas que evitei. Meu corpo muscular está moído do esforço que nem pensei em fazer.
Baço, mudo, nulo… O céu ao alto é de um verão morto, imperfeito. Olho-o como se ele ali não estivesse. Durmo o que penso, estou deitado andando, sofro sem sentir. A minha grande nostalgia é de nada, é nada, como o céu alto que não vejo, e que estou fitando impessoalmente."

"- I feel my eyes tearing up. What should I do with my eyes? What should I watch? 
- You ask what you should watch. I ask how I should live. It's the same thing."

"I hate to break it to you, but there is no big lie. There is no system. The universe is indifferent."

"Que é necessário sair da ilha para ver a ilha, que não nos vemos se não nos saímos de nós"

"Invisible things are the only realities."

"...he understood there was no way to escape Time, and that this moment he had been granted to watch as a child, which had never ceased to obsess him, was the moment of his own death."

Chris Marker (1921-2012)

"(...) I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange."

"Talvez por muito tempo, você ainda pode continuar a mentir para si mesmo, matando seus sentidos. Mas o jogo acabou. O mundo mudou, mas você não. Indiferença não lhe fez qualquer diferença. Você não está morto. Você não enlouqueceu. Não há maldição que paira sobre você (...) Tempo, que tudo vê, tem proporcionado a solução, apesar de si mesmo. O tempo, que sabe a resposta, continua a fluir. É um dia como este, um pouco mais tarde, um pouco mais cedo, que tudo começa de novo, que tudo começa, que tudo continua. Pare de falar como um homem em um sonho. Olhe! Veja aquilo! (...) Não, você não é o mestre anônimo do mundo."

"O cinema não é um ofício. É uma arte. Não é um trabalho de equipe. O diretor está só diante de uma página em branco. Para Bergman estar só é se fazer perguntas; filmar é encontrar as respostas. Nada poderia ser mais classicamente romântico."

"everything burns when nobody is looking."

"- I'm not daydreaming. 
- Right. You're not daydreaming. You're sleepwalking."

"The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like like disaster."