29.4.13

“Why are women... so much more interesting to men than men are to women?”

23.4.13

"You can have anything that you want
Except the thing you really want"

17.4.13

"Solitary. But not in the sense of being alone. Not solitary in the way Thoreau was, for example, exiling himself in order to find out where he was; not solitary in the way Jonah was, praying for deliverance in the belly of the whale. Solitary in the sense of retreat. In the sense of not having to see himself, of not having to see himself being seen by anyone else."
"Every book is an image of solitude. It is a tangible object that one can pick up, put down, open, and close, and its words represent many months if not many years, of one man’s solitude, so that with each word one reads in a book one might say to himself that he is confronting a particle of that solitude."

16.4.13

"I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way. I’ve seen people withdraw. I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. In our films what we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems."

11.4.13

"- It's beautiful.
- What?
- Life. So long."

8.4.13

"I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience—and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it."

4.4.13

"I am alone, I thought, and they are everybody."

29.3.13

"Am I in love? ― yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn’t wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover’s fatal identity is precisely this: I am the one who waits."

19.3.13

"Impossible, I realize, to enter another’s solitude. If it is true that we can ever come to know another human being, even to a small degree, it is only to the extent that he is willing to make himself known. A man will say: I am cold. Or else he will say nothing, and we will see him shivering. Either way, we will know that he is cold. But what of the man who says nothing and does not shiver? Where all is intractable, here all is hermetic and evasive, one can do no more than observe."

7.3.13

"Nothing happens. Nobody comes, nobody goes. It's awful"

1.2.13

"I don't know how but seeing the world before my own existing was fascinating to me. And I don't know how exactly that this relates to dreams but it almost seems like I was dreaming because i was receiving visual information of something that no longer existed in our conception of time and history"

17.1.13

"This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me."

6.1.13

(do retorno à palavra escrita)

- de certo, estamos todos desolados.

29.12.12

"You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete."

20.11.12

"The future, Madame, is something we should have started on a long time ago." 
"He is outside of everything, and an alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window."

8.11.12

“In the depth of winter, I finally learned that within me there lay an invincible summer."

20.10.12

"It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience."

11.10.12

"Take me, subtract movies and you get zero."