17.4.13
"Solitary. But not in the sense of being alone. Not solitary in the way
Thoreau was, for example, exiling himself in order to find out where he
was; not solitary in the way Jonah was, praying for deliverance in the
belly of the whale. Solitary in the sense of retreat. In the sense of
not having to see himself, of not having to see himself being seen by
anyone else."
"Every book is an image of solitude. It is a tangible object that one
can pick up, put down, open, and close, and its words represent many
months if not many years, of one man’s solitude, so that with each word
one reads in a book one might say to himself that he is confronting a
particle of that solitude."
16.4.13
"I’ve never seen an exploding helicopter. I’ve never seen anybody go and
blow somebody’s head off. So why should I make films about them? But I
have seen people destroy themselves in
the smallest way. I’ve seen people withdraw. I’ve seen people hide
behind political ideas, behind dope, behind the sexual revolution,
behind fascism, behind hypocrisy, and I’ve myself done all these things.
In our films what we are saying is so gentle. It’s gentleness. We have
problems, terrible problems, but our problems are human problems."
11.4.13
8.4.13
"I
think that what a person normally goes to the cinema for is time: for
time lost or spent or not yet had. He goes there for living experience;
for cinema, like no other art, widens, enhances and concentrates a
person’s experience—and not only enhances it but makes it longer,
significantly longer. That is the power of cinema: ‘stars’, story-lines
and entertainment have nothing to do with it."
4.4.13
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